Hidehiro Ito – Story of White Coat: Indecent Acts (1984)

Poor virginal Shinobu! Her dream is to become a nurse and live a comfortable life, but that dream turns into a nightmare when she becomes the object of obsession for Junior, the sex crazed son of a major shareholder at the hospital where she works. When Junior is admitted to the hospital with alcohol poisoning, no nurse is safe! Will Shinobu escape Junior and his addiction to sex, or will she finally succumb to his amorous appetite? STORY OF WHITE COAT: INDECENT ACTS is loaded with beautiful women, naughty sex and gratuitous nurse nudity. It may be just what the doctor ordered for your perverted sex fix! Continue reading

Joe Swanberg – The Zone (2011)


A mysterious visitor (Kentucker Audley) spends the night at an apartment belonging to a young engaged couple (Sophia Takal and Lawrence Michael Levine) and their friend (Kate Lyn Sheil.) Over the course of the night and the following day he sleeps with all three roommates and then disappears, leading to conversations about God, life and filmmaking.

Starring: Sophia Takal, Lawrence Michael Levine, Kate Lyn Sheil, Kentucker Audley, Joe Swanberg Continue reading

Corey Allen – The Erotic Adventures of Pinocchio (1971)


This is a bawdy burlesque of the famous fairy tale. Instead of Gepetto, the old man wood-carver, we have Geppeta (Monica Gayle), an apparently frustrated nubile young virgin. Geppeta carves Pinocchio (Alex Roman) for herself as a gorgeous young hunk. Geppeta’s fairy godmother, a bawdy blonde played by Dyanna Thorne, magically transforms the young stud Pinocchio into a living man, who is quickly brought to work in the local whorehouse as a prize stud and exhibitionist. Continue reading

Claudio Giorgi – Candido erotico aka Copenhagen Nights (1977)

IMDb comment:

Lili Carati–need I say more?

Since I am suffering from a strange fetish for barely legal Italian starlets from the 1970’s (well, maybe not “suffering”. . .), I have seen any number of films now featuring the lovely Lili Carati, who started out as a Miss Italy finalist and eventually ended up as a drug-addled hardcore porn star. This is one of her first movies and she looks strangely demure and innocent here. The story resolves around a male sex performer in Copenhagen, Denmark who does work on the side as a model for a female photographer (and former lover). He spots a nude photo of her stepdaughter (Lili Carati) and decides to seek her out. Naturally, this doesn’t sit well with the older women, or with her husband (although the latter can’t say much about it since he has just paid the man to have sex with his wife while he watches). In an unbelievable turn of events though it turns out though this guy can’t, uh, “perform” WITHOUT an audience. You can pretty much imagine how it ends. Continue reading

David I. Frazer – Bad Girls (1981)


An all-girl road trip: four comely, young gals travel through the Rocky Mountains disrupting everything in their path with their sexual antics. From teasing a poor scout who hitches the ride of his life to stiffening a lonely wood cutter’s equipment, the vacationing vixens are just out for fun. Witnessing the women’s promiscuous behavior, a horny scoutmaster brings their attention to a group of locals who take them hostage and aim to have their way with them. The girls match the ‘bad boys’ stroke for stroke and escape with the help of the local scout master (But not until after one of them seduces him). – VCX Continue reading

Eberhardt Kronhausen & Phyllis Kronhausen – Freiheit für die Liebe AKA Freedom to Love [English dub] (1969)


Here’s something different… a vintage West German “white coater” hosted by bonafide sexologists PHYLLIS and EBERHARD KRONHAUSEN. And rather than rolling out the usual sex loops disguised as educational aids, the Kronhausens argue that sexual freedom (the “Freedom to Love”) ultimately benefits society, and that sexual suppression leads to criminality and divorce.

To prove their point, the scholarly couple present dramatizations of four cases from their files. The first involves a young mechanic who discovers the shocking truth about his sexually voracious girlfriend as he’s taken into custody by the vice squad… In the second segment, a lesbian couple are “outed” to the police by their outraged neighbors… And following a grim segment about illegal abortion, the final — and most explicit — vignette demonstrates how a troubled marriage is rescued when the lachrymose lovebirds join a raunchy swing club… Continue reading

Elia Milonakos – Mavri Emmanouella AKA Emanuelle Queen of Sados (1979)


Gorgeous Laura Gemser pays her lover to kill her husband, releasing her from his cruel sexual treatment, and takes the man’s teenage daughter under her wing. Now in Cyprus, Emanuelle is in control of his estate, but life is not so easy as the hitman is out to blackmail her and drag down her stepdaughter into his perverted world. Also starring amazing Livia Russo. Continue reading

Henri Sala – Jambe en l’air à Bangkok (1975)

from IMDB:
Patrick is the secretary of Ducas, a rich industrialist; he is also his boss’s provider of erotic entertainment. To further his imagination, and no expenses asked, he travels to Bangkok to study the local massage parlors. On the side, he takes six other commissions that he intends to fulfill well. Only, two young adventurers, Anna and Dorothée will cross his path, and make his jobs really difficult. Written by Artemis-9 Continue reading

Jean Rollin – La morte vivante aka The Living Dead Girl (1982)

Thought of by some as the last truly great film of Jean Rollin’s career, the 1982 feature La Morte Vivante (The Living Dead Girl) is a fascinating but flawed feature graced with two of the most unforgettable performances in all of Rollin’s canon. A frustrating work brought to life by some of the most iconic imagery seen in a Rollin film, The Living Dead Girl is a simultaneously ferocious and poetic work deserving of its reputation as one of Rollin’s most important films…
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Nick Millard – Threes, Menage a Trois aka Threes (1968)

Meet a couple of hipster swingers addicted to love. He’s a novelist and she’s a leather fetishist who provides valuable and stimulating research for his lurid erotic adventure tales! Their open marriage allows the couple to travel a delirious, flesh-filled but barren human landscape where endless carnal thrills can take their toll on the soul! Jane Lako plays a randy housewife who begins an affair with Czechoslavakian secret agent John D. White. When White is thrown out of the country, Lako goes wacko. She downs several bottles of rotgut, has violent sex with her husband, then kills him. Follow their descent into depravity in this rare exploitation gem. Continue reading

Walerian Borowczyk – Cérémonie d’amour AKA Love Rites (1988)


“Adapted from a short story by André Pieyre de Mandiargues, Love Rites concerns French fashion designer Hugo Arnold, who has set out on the Paris metro to meet a woman about a batch of dresses he’s interested in. On the metro, he meets a beautiful young prostitute named Myriam. Soon, Hugo has forgotten all about his dresses and is devoting his day to following Myriam around the city. Eventually, the two end up at the apartment of Myriam’s friend, Sara Sand. Anyone who can’t guess what happens from there hasn’t seen the disk’s cover art. Continue reading

Fred Halsted – Sextool (1975)

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The last of this loose trilogy is Sextool. This is probably the most complex of Halsted’s films, with radical narrative shifts and some of the — still — raunchiest sex scenes in all of non-amteur gay porn. Sextool features the director’s trademark faceless machos: a pair of cops who shove their nightstick up a trick ‘s ass, and a group of sweaty gangbangers who whip, fuck, and fist a cornfed blonde sailor on a bunk bed without a mattress. This scene offers a distillation of Halsted’s world-view. The ruthless abuse of the neatly dressed, boyish, sweet-faced sailor is the director’s most pointed assault on everything wholesome that he hated in postwar American culture. The sailor-boy’s enthusiastic acceptance of his abuse is Halsted’s proof that the mindless “goodness” and optimism of the rising middle class deserved to be attacked, and he does it with gusto. Like the sailor, Joey Yale appears as a too-willing bottom, eagerly embracing the authentic abuse that the real Fred Halsted dishes out. Sadly, the culture wasn’t as accommodating as Yale; these films were censored and remain difficult, and in the case of Sextool, virtually impossible to see (much less own) even today outside rare cinematheque and museum screenings.
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