Sweet Sweet (Tatli Tatli 1975)
Mine Mutlu only made ‘erotic’ films in the 3 year period between 1974-1976. She made 5 such ‘erotic’ films in 1974, 9 in 1975, and 1 in 1976). In 1976, she withdrew entirely from ‘erotic’ film-making even though she was ‘at the top of her game’ — and she tried to re-invent herself on stage, as a performing singer. Continue reading
Jean Rollin was one of a select group of European filmmakers (including Alain Robbe-Grillet, Jose Larraz, Walerian Borowzyx,and–some would say–Jesus Franco) who used the horror/sexploitation genre as a means to make arty and/or personal low-budget films. But by the mid 1970’s all the sexploitation directors like Rollin had to compete with the burgeoning hardcore porn industry, and he at least decided that if he couldn’t beat them he was going to join them. Rollin was, of course, far more talented than your average porno hack, but it is virtually impossible to make a good hardcore porn movie given the extreme limitations of the genre–i.e. a very low budget, a very short shooting schedule, a complete lack of professional acting talent, and the need to include one long sex scene after another, which inevitably does in any attempt at story, pace, or character development. Naturally, this is not nearly as good as Rollin’s more legitimate horror/exploitation work, but it is certainly better than your average hardcore sex flick. Continue reading
Author: DriesVermeulenDV8 (firstname.lastname@example.org) from Brugge, Belgium
When is a porn film not a porn film ? In this case when it’s directed by late “real world” celebrity John Derek, a man better known for his marriages to some of the world’s most glamorous women (Ursula Andress, Linda Evans and Bo Derek) than for his efforts both in front (ADVENTURES OF HAJJI BABA) and behind (BOLERO) the cameras. LOVE YOU is one of those rare films that straddles the no man’s land between pornography and traditional cinema and considerably more erotic than other attempts to do so like Curt McDowell’s strangely perverse – or should that be the other way round ? – THUNDERCRACK or Candida Royalle’s downbeat sci fi sex saga REVELATIONS. Of course, not everyone agrees on this assessment. Many a porn critic, including the late and usually great Jim Holliday, has taken the movie to task for lacking the type of sex scenes they assume genre fans want. Continue reading
Here’s an interesting Italian/German co-production, full of subjects from 1968 protest, recalling the two infamous “bikini thrillers”,”Interrabang” and “Top sensation”, in which three young beauties (Rosemarie Dexter, Doris Kunstmann and Laura Troschel), alluring their male friend (Bernard De Vries), embark on a journey in a luxury yacht around the coast of Yugoslavia, plenty of bedhopping, nudity and the usual hijinks occur before things take a sinister turn when they decide to lock themselves in a cabin and dose up on LSD
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Plot / Synopsis
A young man gets shot in an underground parking lot. His recent experiences flash before him as he leaves his last breath… This excellent, surreal and sexy giallo (with a plot reminiscent of Aldo Lado’s MALASTRANA also starring Sorel) is brought to you in its rarest form. Continue reading
Avere vent’anni (To Be Twenty) – (the title refers to the famous phrase at the beginning of Paul Nizan’s book, Aden Arabia: I was twenty years old. I will never allow anyone to say that these are the best years of my life.), was shot by Fernando di Leo in 1978. He also wrote the script which dates back to some years earlier and came from the desire to portray new female characters who had established a revolutionary psychology, and attitudes in society after 1968.
The intermediaries for this story are two young travelers, Tina and Lia – played by Lilli Carati and Gloria Guida, both very popular actresses at that time, who leave the Italian provinces and go to Rome to join a “community” and are under the illusion of being able to live in complete freedom, especially sexual freedom, without restraints or limits.
This movie is a fake documentary on the sexual habits of teenagers/college age youth. The deep, newscaster-like voice of the narrator leads us through a series of vignettes, with different actors. The first deals with a girl who wants to trade sex for grades, which seems sort of cliche. In another episode, a black girl and her white boyfriend deal with their classmates’ racism. There are a few other mini-plots, all with the requisite nudity and implied sex. The episodes focus on one or two characters who undergo a sort of 1 dimensional coming-of-age process. The fantastic, kitschy soundtrack is by Gert Wilden and his orchestra. A lot of his “Schulmadchen” hits seem to come from this movie. Also known as ‘Campus Swingers’. The title translates as ‘what drives parents to despair’. I never knew Germans could be so hip! Continue reading
Description: “Beautiful Girl Hunter” by Norifumi Suzuki is based on manga by Maasaki Soto.The film portrays the life of Tatsuya,a young man of proper descent whose outward respectability hides his urges for rape and torture.This handsome rapist seduces women,then brings them to the basement of the mansion he inherited from his well-to-do parents,where he indulges in lengthy sessions of sado-sexual violence.An explanation of sorts is given for Tatsuya’s sinister urges:he was conceived when his mother was violated by a deranged serial rapist while his father was forced to watch.Then one night,one of his victims escapes.The young woman,who has been kept locked in a cage in the basement for several weeks and subjected to humiliation,degradation,torture and rape,runs from the house screaming,right into the arms of a passer-by.Though she thinks she has found safety,this person is none other than Tatsuya’s natural father,the serial rapist.He brings her back to the house where he joins his son in his activities.From that moment the torture and violence shift into an even higher gear.”Beautiful Girl Hunter” is a nasty Japanese pinku eiga shocker filled with with nudity,whipping and rapes.The cinematography is beautiful and the acting is great.If you liked this one check out also classy Japanese nunsploitation flick “Convent of the Sacred Beast” by Norifumi Suzuki.10 out of 10. (IMDB) Continue reading
It’s twelve o’clock…and time to die.
In the dark nights of a city. The sultry voice of Vannessa, a radio DJ and her provocative callers reveal their sexual fantasies into the lonely shadows…Out in the night the city lives in fear. A slasher stalks and kills prostitutes to the sensuous rhythms of Vannesse’s voice. Police Detective Harris probes the dark and is the only thing between Vannesse and her most forceful fan. Their criss-crossing paths full of erotic tensions mix suspense and passion to a horrifying climax. Continue reading
Hannelore Reitzler elopes with her boyfriend to the Hotel Liebesnest but he leaves her during the night after failing to take her virginity. Not wanting to return home, Hannelore takes job as a chambermaid which also involves giving sexual favors to the guests at an extra charge. Meanwhile, a female cat burglar visits Das Liebesnest every night and each time she gets caught, she offers her body to the captor to keep them quiet. Written by Il Tesoro Continue reading
Crime , drama movie with lots of naked hot girls, exploitation and sleaze. Continue reading
José Bénazéraf shows scenes from his films which were originally censored because they were considered pornographic or subversive. This doc itself was edited from JB-1 which included longer hardcore scenes from the “The Hideout” films. Continue reading
Lengthy IMDB Review
Its subject matter being the making of an “experimental movie”, The Debauchers is an experiment itself: taking the tried-and-true (and cheap) Warhol/Morrissey invention of confrontational improvised dialog (SEE: any Ondine performance) and making it work in a nasty, hardcore domination opus. The film was difficult to watch, and frankly distasteful, but a la the in-your-face Italian movies of Alberto Cavallone, worth the effort. Terry Levene distributed the film back in the day, and it is one of his most unusual titles.
Filmmaker Sidney Knight has made several interesting works but I wasn’t prepared for the downright cruelty here. One reason is that I was misled by the AFI Catalog 1961-1970’s inclusion of this title as circa 1970; it was made later, during the hardcore era. Credits are mainly crude pseudonyms, though Knight is listed on-screen. Continue reading
Stela, una joven colegiala, sale del internado para pasar las vacaciones de Navidad con su madre en la antigua, pero suntuosa casa del que fué su abuelo paterno. Cuando Stela llega, se ve sorprendida por otro invitado, el amante de turno de su madre. Pronto se deja ver el temperamento erótico de la muchacha, pues a pesar de su aspecto infantil, sus reacciones son emínentemente eróticas, fruto de la represión a que se ve sometida en el internado de señoritas donde su madre la retiene durante el año. Continue reading